Now that we’ve discussed how
Christ’s life fits snuggly into a standard three-act structure, let’s move on
to films that contain Christ as, well, not the LEAD, per se, but as a sub
character or, in this instance – as a glowing character.
In the 1925 Biblical Epic “Ben-Hur
– A Tale of the Christ” (not really much Christ in this one) it’s the standard
tale of Ben- Hur who is born rich, then becomes a slave and then works his way
up to be a NASCAR Chariot Race Driver and power and stuff and, eventually,
redemption.
Ow.
This silent film is being reshown
around the country in 2016 due to the fact that a former member of the band the
Police (Stewart Copeland) has redone the music and is touring with the film.
Nudity, before the Hayes Commission shut stuff like this down. Plus it's "biblical"
so that sometimes makes it okay. And it's in color!!
What makes the film unique in
terms of Jesus Christ is that he’s never shown in his entirety. The film-makers, probably fearing that they’ll
offend someone or just at their wits end as to how to portray Christ on film,
turned him into a glowing arm.
Seriously.
At certain points in the film
(such as the Sermon on the Mount) Christ is reduced to a glowing arm
gesticulating from the right side of the screen while title cards go up showing
what he’s saying. Crowds are enthralled
with this glowing arm.
Later in the film, Ben-Hur is
witness to Christ’s crucifixion and as he looks on at Christ there’s this
glowing reflection that is being cast upon Ben as if some crew member is holding
a mirror and reflecting the sun (son?!) onto Ben.
Still better than a Carnival Cruise.
It made me laugh.
All-in-all, though, it’s a
fantastic film and one of the earliest films to use the Technicolor process. Guess I should be glad they just had Christ
glowing white instead of green or…
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